Ford :: essays papers

crosswalk The sizeable Soldier, utilises a variety of literary techniques to construct meaning and trigger imaginative power. Ford uses figurative language to initiate the polarity of ruler and Passion(1) and a divergent narrative style and structure to put in cultural issues such as the quest for valet de chambre knowledge and the imprisonment of society. The long afternoon wore on commences in the context of Nancys revelations. She has subscribe to the account of the Brand divorce case in the newspapers and is apprehending the manifestations of recently sight phenomena. Ford employs a vocabulary that is mournful and dull to conjure up images of shadow and anguish. He uses words like frightened, writhed, agony, pain and gloomy to connote feelings of affaissement. These are juxtaposed with the vocabulary of the second half of the passage raw siennas, flame, and cheerful which signifies the corruption of Nancys chastised mind. Knowledge of convention takes a ll sweetnessout of emotional state. The lexicogrammar interplays the theme of throng and Passion as being unavailing to exist congruently in the law of the land and cognition of human genius as futile, leading yet to darkness. Ford expresses the degenerative nature of human passion in the metaphor a tune in which major notes with their cheerful insistence wavered and melted into minor sounds as, beneath a bridge over the highlights on dark waters melt and waver and disappear into scandalous depths. The anagoge alludes to images of passion fading into darkness. An antithesis of light and dark, black and white, the certitude of Passion succumbing to Convention Society must go on, I suppose, and society can only exist if the normal, if the virtuous, and the slightly-deceitful flourish, and if the passionate, the headstrong, and the too truthful are condemned Samuel Hynes, The Epistemology of The Good Soldier, The Good Soldier, Norton Critical Edition (1995. W.W. Norton & Compa ny)to suicide and to madness. Nancys love must regress, as the etiquette of society must prosper. Fatally for those who were unable to conform to the technicalities of English life due to burgeoning eroticisms, the end was plainly manifest. Ford creates imagery of umbra and shadow elsewhere in the novel inevitably they pass away as the shadows crosswise sundials. Fords adumbrations of unillumination may also reflect the restrictions of human knowledge. nighttime reflects the tenuousness of human cognition. Dowell proposes earlier what is there to guide us in the more(prenominal) subtle morality of all other personal contacts, associations, and activities?