Flawless Use of Parallelism in Shakespeares King Lear :: King Lear essays

Flawless Use of Parallelism in major power Lear umteen twists and turns characterize the television soap operas of today. Subplots are a distinctive sign of these daylight dramas, for they keep audience on the edge of their seats. Subplots keep the material fresh and the audience wanting more. Shakespeare consumptions secondary plots as a literary device to greatly dramatize the action of the play and to spark a contrast to his underlying themes in King Lear. The secondary plots can incalculably make better the effect of dramatic irony and suspense. The effective usage of subplots in King Lear, as a form of proportionateness, exhibits analogous traits of prominent characters. Using much(prenominal) literary device permits the audience to understand the emotions of the essential characters in the play. The brilliant similarity of different plots and characters can illustrate Shakespeares perfect use of parallelism in King Lear. Parallelism is greatly enhanced by the use o f subplots, for it creates emphasis and suspense. The parallel between Lear and Gloucester displayed in the play cannot possibly be accidental. The subplot of Gloucester corresponds the major plot of Lear. The two fathers gull their own loyal lucid child, and their own evil and disloyal kin. Gloucester and Lear are both honorable men, who have children that return to them in their time of need, and are sightless to the truth. Like Lear, Gloucester is tormented, and his successful child recovers his life he is tended and healed by the child whom he has wronged. Their sufferings are traceable to their extreme folly and injustice, and to a selfish credit line of their pleasure. In the early beginning of King Lear, Cordelia says that her bonk for her father is the love between father and daughter, no more, no less. Unhappy that I am, I cannot heave My heart into my mouth I love your majesty correspond to my bond nor more nor less. (Shakespeare.I.i.93-95) In response, Lear fl ies into a rage, disowns Cordelia, and divides her share of the farming between her two unworthy sisters. Such folly and injustice is encountered by Gloucester in the secondary plot. O scoundrel, villain His very opinion in the letter. Abhorred villain, unnatural, detested, brut- ish villain worse than brutish Go, sirrah, seek him. Ill apprehend him. Abominable villain Where is he? (I.ii.80-84)